Our Work

Feed Mill Townhouse

The project is an adaptive reuse of a vacant small-town feed mill that once provided agricultural animal feeds and seeds for the local farming community. Built in the 1930s, it still contains the original vertical conveyor belt, a deeply recessed concrete pit, a small mezzanine, and a floor scale for weighing carts of feed. The roof structure is composed of exposed lumber trusses. There are two large openings with overhead doors as well as ten small windows at two levels.

The owners are locals that love the town and have invested in its welfare. They bought the empty buildings not only to revitalize them but also the neighboring ag-industrial buildings on the edge of town. They were drawn to the vacant feed mill because of its history as well as the agricultural-industrial aspects. They envisioned a new home for themselves with an urban loft feel.

The layout of the open ground floor and mezzanine lent itself to reuse as an urban style loft apartment.  The mezzanine became the bedroom suite, the space under the mezzanine became the kitchen, bar, and dining, and the open main floor became the living space. Even the pit had a use – it became what we called the Wine Shaft where wine is stored and celebrated. The two large exterior openings were ideal for large window walls to bring daylight into the large open space. New steel and wood stairs and steel landing/bridge connect the mezzanine to the main floor.  New cabinetry creates spaces like the reading nook and kitchen and bedroom while doing double duty as railings for the mezzanine and around the edge of the Wine Shaft.


The Goat Sheds

The Goat Sheds is a family ranch compound located at the base of a wooded hillside with long views down two valleys to the South and East.  

The house serves as a gallery to display the wife's large collection of American Indian artifacts as well as the husband's extensive collection of model trains. Each of the main functions -- living, sleeping, working, train room, garage -- are designed as individual, clerestoried sheds that are dispersed among the existing trees in such a way that no trees were lost.  The "sheds" are connected by service spaces.  

The husband once worked on the ranch as a young adult when it was owned by his future wife's family.  During that time it was being transformed from a goat ranch to a cattle ranch.  His future wife's father wanted to determine if this young man was a hard worker and worthy of his daughter, so he gave the suitor the job of dismantling all the old goat sheds that were scattered over hundreds of acres.  He did, the father approved, and they were married.  The couple affectionately call the new house the Goat Sheds.

The house is featured in the book Architects of the Southwest, by Francesc Mola.

Generational Farmstead

The site for the house, a 500-acre ranch, is located in the Texas Hill Country, an area settled in the mid-1800s by German immigrants, who used the local limestone and long leaf pine and cypress to build their structures.

The clients asked for a new house that, when finished, would look like it had been there for 150 years.  We researched historic German farms and homes in the area for authentic house and farm types, materials, and details.  

The program for the house was large and complex, so we decided to emulate a generational farmstead, where each generation of the family adds onto the original buildings and build new structures or tie together old ones, creating a complex of buildings over time.  We fabricated a "history" for  this farmstead---the log cabin was built by the great grandparents who settled here, then as the family grew, they added a water tower and a barn.  When their children took over, they built the big stone house.  Their children connected the barn to the log cabin and added a smaller house next to the big house for their children.  The result is the compound you see today.

We used recycled timber, beams, flooring, wood siding, rusted tin, and rock to build the house.  All the conveniences found in a modern home were hidden or disguised.  A local blacksmith produced door and window hardware as well as fireplace hardware.  Windows and doors were milled from old growth pine.  Even the glass was reproduction "wavy" glass to emulate vintage glass.  The owners went to great lengths to fill the house with correct antique furniture and furnishings.  Near the end of construction, a visitor to the site told me, "They are doing a great job of restoring these old buildings!"  They couldn't have given us a better compliment.

The house is featured in the books Roots of Home by Russell Versaci, and Lone Star Living, Texas Homes & Ranches by Tyler Beard, as well as New Old House magazine and Southern Accents magazine.

The Outpost

New house under construction on 25 acres south of Fredericksburg, Texas.  Nestled into the edge of a grove of live oaks, the house is a compound of three buildings, each housing the main functions: living/cooking/eating, sleeping, and support (laundry, mechanical, gym, and garage).  The owner's office is in a tower above the support building, with a lookout deck on top of the tower.  A cloistered courtyard ties the buildings together and also ties the compound to its natural surrounding -- the grove of oaks acts as the fourth "wall" of the courtyard. The courtyard will have a fire pit, small pool, and bocce court.  And a hammock!  All rooms open to the natural surroundings, with windows, sliding glass doors, and porches, connecting the owners to the wild, bucolic landscape. The builder is KoviakBuilt Homes of Boerne, Texas.
The house is featured in the book Architects of the Southwest, by Francesc Mola.

Longer Than A Weekend House

The seed for this family compound was the Goliad Weekend House that I designed for dear friends Bonnie and L.J. years ago.  The family had grown over the years, grand kids arrived, and the family needed more space for themselves and for frequent guests.  The new addition consisted of a fully outfitted kitchen, pantry, and a new master bedroom suite.  In the existing house the former master bedroom became a family room, and the original tiny kitchen became a foyer.  The new additions turn what was once a small weekend house into a rambling family compound that's nestled among the surrounding trees and opens to the land. The result is a home that invites everyone to stay for a while and savor their time there. The owners fondly call it the "Longer Than A Weekend" House.

The Overlook Guest Lodge

Guest lodge on a large ranch in central Texas.  The Lodge sits on the edge of a steep bluff overlooking a bend in the San Saba River, with the river valley stretching out to the horizon.  The design of, and materials used for, the Lodge is a blend of historic Texas Hill Country structures and historic National Park lodge architecture. Construction is currently underway.

The Overlook Guest Lodge (Under Construction)

Viewfinder

A new weekend getaway on large ranch in Brewster County, Texas.  The ranch is largely flat desert terrain with the Chisos Mountains in the distance.  The concept has four components: a large, flat roof to provide shade; rammed earth piers to anchor the building to the desert site;  glass walls to visually allow the desert floor to pass through the structure, and a  solid, rammed-earth “core” that contains the service spaces and serves as a visual counterpoint to the glass box.

Viewfinder (Project)

Guadalupe River House

Construction has begun on a new house on the banks of the Guadalupe River north of Boerne Texas.  The site slopes down to the river from the street in a series of rock ledges, with the house on the last ledge whose edge drops forty feet to the bank of the river.  The guest house sits on the ledge higher up from the house and connects to the second floor of the house at the two story living room.  The same bridge runs through the house and out the other side, ending in a viewing platform that is cantilevered past the edge of the bluff.  The other side of the Guadalupe is unspoiled Hill Country, part of a large ranch that extends to the horizon.  The exterior of the house is corrugated Galvalume steel, a maintenance-free material whose shiny finish reflects the sun's heat.  Due to it's corrugated structure, it also ventilates the area between the metal and the exterior walls, further reducing heat absorption of the house from the hot Texas sun.  

Guadalupe River House (Under Construction)

Silos House

The house is located in an area of the high Texas Hill Country called Mountain Home, settled by large ranches, like the historic YO Ranch, and small farms. 

I've always been fascinated by the local agrarian structures -- cotton gins, barns, feed mills, grain elevators, and silos.  The context of farming and ranching lead us to explore the vocabulary of this local vernacular architecture -- abstract silo shapes, corrugated steel roofs and siding, steel pipe and wire, agrarian light fixtures, barn vents, chimney flues, hip roof shapes, and local stone.  The result is a house that is a modern homage to the historic architecture of the area.

This house experiments with the way a user experiences the space within a house.  A traditional floor plan bundles the rooms into a rectangular package.  This project splits up the rooms into distinct elements, and each has four walls that can engage with the outdoors. The separated rooms are each tied together at opposite corners to form alternating spaces along a central circulation spine. The flow of space and the way one experiences it as one moves through the house is very different from that of a traditional house.

Pivot Pad, Ignacio Salas-Humara Architect

New 1000sf house with very tight budget. The client wanted to "live small" and leave a small carbon footprint.  She had researched prefab houses, but found they were beyond her budget.   In the end we found it was less expensive to design & build a similar house on site.  The project is a composition of elements that are tied together by a strong circulation axis--the boardwalk--that organizes guest parking at one end, takes the visitor through the carport, across a Zen courtyard and to the front door.  From there it proceeds through the house, across the back yard and terminates at a wood deck that cantilevers over a limestone bluff that overlooks the creek below and the nature preserve beyond.  Sealed concrete floors throughout the house, IKEA kitchen, and corrugated Galvalume metal exterior siding were used to keep costs within budget.

PHOTO CREDITS: Ignacio Salas-Humara

Pivot Pad

Butterfly House

Clients wanted a simple, compact house with big views.  The site is a 20-acre parcel of rural land outside Bandera, Texas, with long views to the southeast.

Butterfly House (Project)

Guest House

Small guest house set into a wooded hilltop.  Exterior materials and colors were designed to blend with the existing trees and native grasses found on the site.

The house is featured in the book Architects of the Southwest, by Francesc Mola.

Modern Hacienda

Modern villa set in the rolling Texas Hill Country.  The client, an artist of Mexican descent, asked for a modern interpretation of a Mexican hacienda.  She and her doctor husband have a sensational collection of Mexican religious art and artifacts.  The hacienda itself is a piece of colorful sculpture in which to house the collection.

The home was featured in the HGTV series Homes Across America.

Cielito Lindo

Three Barns Farm

We are currently designing a country house for a family of four on a 200-acre farm in the Texas Hill Country.  The main house functions -- children's sleeping area, parent's sleeping area, and communal eating/living area --- are divided into separate "barn" buildings that are connected by subsidiary spaces -- an entry hall and a study/library.  Set in a meadow, the compound of buildings creates an intimate courtyard space for family gatherings that is sheltered from the occasional wind channeled by the valley in which the farm lies.  Covered porches abound.  Every room has one.  The Master Bedroom has a sleeping porch for use on cool nights.  The owner calls it "glamping."  An allee of trees creates an axial view that focuses on the "Silo," which houses an office, game room, and a lookout roof deck.  The house encourages outdoor living and opens up every room to the landscape and views across the meadow to the surrounding hills.  

Three Barns Farm (Project)

Goliad Weekend House

I designed this weekend house for our friends in Corpus Christi.  In the early seventies, Bonnie and L.J.  bought 116 acres of rolling hills blanketed with live oak and juniper outside of historic Goliad, Texas.  With a group of friends they constructed a quaint but rough little two room cabin to get away on weekends.   We used to stay with them and their young daughter Blair, and it was fun to rough it.  As the couple got older, they didn't want to rough it any more.  They wanted something a little more refined.  Something with plumbing, electricity.  And maybe air conditioning.

A flat, prow-shaped hill, the highest spot on the property, was chosen as the building site for ease of construction and because of spectacular 180-degree views of the surrounding countryside and Manahuilla Creek below.  The hill is adorned with a large, heritage oak.   We went back and forth on the concept for the house.  What size should it be?  What materials?  Rustic or modern?  L.J. stood at Rustic end with thoughts of using an antique timber frame barn as the basis for the new house.  Bonnie stood at the Contemporary end, with all the modern comforts and conveniences and easy-maintenance materials.  They eventually reached a compromise, as all good marriages do, and agreed to build something both rustic and contemporary.  The finished product is a modern interpretation of local nineteenth-century farmhouses, barns, and simple cabins.  The house is clothed in traditional wood lap siding and galvanized tin roof, and the size and scale is respectful of its local ancestors.  The south end of the house is more solid and traditional with small, sparsely spaced windows, but as one moves to the north end of the house the exterior becomes lighter and more transparent; more modern.  The two-story main living space has glass walls on three sides to take advantage of the 180-degree views.  On the north end, a two-story glass wall frames the massive oak tree and bathes the interior with soft northern light.   Covered porches wrap around the main room to shade the glass and provide outdoor dining, lounging, and recreation.

The land is bountiful with fauna.  Deer, wild hogs, armadillos, raccoons, ringtails, havelina, and wild turkeys roam the property.  One of the many recreational activities at dusk centers around frozen Margaritas, rocking chairs, and binoculars to admire the wildlife.

The house is featured in the magazines Home, Electronic Home, Custom Home, and Builder.  It was also featured in marketing materials for Hunter Douglas.

Awards: AIA San Antonio Design Award.



Rocking P Ranch House

Long-time San Antonio residents, the clients bought 75 acres of farmland south of the city.  Their intention was to raise their sons in a rural environment and live the country life, with horses, cows, and goats.  For the new house they stipulated only two things: traditional forms and zero-maintenance exterior.  We took inspiration from local farm and ranch buildings for the forms and used corrugated Galvalume steel for the maintenance-free siding.  Windows are clear aluminum to match the siding.  We used cedar for all exposed rafters, beams, and columns.  All light fixtures are industrial or agricultural.  We incorporated farm/ranch materials inside as well, with galvanized steel counter tops, rolling doors, and hose faucet handles as cabinet pulls.  The ground floor of the house is scored and stained concrete.  Insulation is Icynene spray foam.

The home is featured in the HGTV series Homes Across America.

Fish Camp

"Fish Camp" is an affectionate name for a rustic, camp style family retreat where three generations come together and enjoy the outdoors and each other.  The site is 35 acres of oaks and juniper outside of Fredericksburg, Texas.  The site was left completely wild, with only a gravel road disturbing the natural setting.  We built the house in a small, linear clearing among some oak trees and dug a small lake nearby for swimming, fishing, and canoeing.  

The compound is composed of three buildings: the Gathering Room (kitchen, dining, and living), the Bunk House (sleeping for six, and the Owner's Retreat (Master Bedroom Suite for the grandparents, who live there full time). These buildings are loosely tied together with open and covered decks and screened porches.  The three buildings were laid out between the existing oaks so that no trees had to be removed.  

We used cedar, stone, concrete, and galvanized pipe as the major materials.  All interior and exterior floors are stained and sealed concrete.  Exterior siding is split cedar shake and local stone.  Roof is Galvalume steel standing seam.  The Gathering room structure is traditional mortise and tenon timber frame.

"Fish Camp" Family Retreat

Comfort Castle

The idea for this house came to me in a dream.  I live nearby, so I visited the hilly, wooded site many times at various times of the day, and walked it often before sketching anything.  One night I had a dream of a castle, a ruin on a hill, where only the watch tower remained.  I set that tower on our site, and I created an imaginary, romantic history for the house.  I described it to my clients over dinner, and they were intrigued by the idea.  The story goes like this:  while they were exploring the hills, owners Pat and Jim came upon a mysterious ruin: a stone tower that was the only remaining piece of a larger structure.  They bought the land, and over time they restored the stone tower and built new rooms around the tower’s base to create the house.

Pat  and Jim presented me with some design challenges:  no 90-degree corners in the house, and no doors.  They wanted the house to fit in with its natural surroundings with views from every room, lots of glass, natural ventilation, and outdoor living spaces.  I designed the house with the stone tower as the organizing element with the rest of the house as pie-shaped "pods" strung along the curving contour of the hill.  The house is like a string of pearls laid in a shallow curve, each room slightly canted from the other, and each with a different view of the surrounding hills.  Each pod opens onto its own deck.

Outside, the house has two faces:  the front, public face is solid, closed and mysterious, with hardly any windows, although the curved "arms' on either side of the tower beckon the visitor with an open embrace.  The rear of the house is all glass and open, with large overhangs for shade and wood decks for outdoor living.   It embraces the outdoors.  Inside, the entire ground level is floored in a wonderful flagstone, which warms the feel of the house and visually ties the rooms together, which flow into each other.  The master bedroom suite is all open, with no walls between the bedroom and bath.  A freestanding cylinder (the shower) and tall cabinet (the headboard) act as privacy partitions.  And what about the "no doors" policy?  OK, I used three doors: one for the pantry, one for the mechanical room, and one for the powder room.

This house was featured on the television series Homes Across America on HGTV.



Zen House

This new house will be nestled into ten acres of wooded valley in a rural neighborhood outside of Kerrville, Texas.  The clients are interested in Asian architecture and gardens.  The conceptual design of the house is Asian-inspired with strong horizontals, an inward-facing courtyard, moving doors that open the house to the landscape, and a veranda (engawa) under the wide roof overhangs that provide a natural transition between the rooms within and nature without. Every room in the house opens to the outdoors. 

In plan the house is horizontally layered from street to woods --- stone wall, courtyard, living space, courtyard, water, woods.  The house transforms from solid at the street to transparent at the rear.  The visitor enters through the stone wall, leaving behind the noise and bustle of the street and into the calm and quiet of the Zen garden.  The eye focuses on the house interior, then past it into the woods through layers of glass walls. 

The stone wall facing the street gives the house privacy while anchoring it to the land.  The overhanging roofs with dragon rafters add a little mystery (and fun). 

Bliss House (Project)

Trailer House Remodel

This was a fun and unusual project I did for a friend. An old house trailer on a family ranch in Beeville, Texas was used for decades as an inexpensive weekend getaway.  The owners recently retired, sold their house in Corpus Christi, and were moving full time to the ranch.  They wanted to invest the money from the sale of the house for their retirement instead of using it to build a new house on the ranch, so they decided to live full-time in the existing trailer house.  There were only two problems. The first problem was that the trailer was looking shabby on the outside.  The second problem was that the trailer looked..... like a trailer.  The solution was to give the trailer a "facelift" and disguise its trailer-like shape.

Since the site was a heritage ranch and the surrounding area was agricultural, we went with a farm-ranch/industrial/agricultural theme reminiscent of barns, sheds, cotton gins and feed mills.  We sheathed the entire structure in corrugated Galvalume metal.  To break up the long trailer shape we added porches, decks, and a small additions. At the front we added a carport and entry pergola of 6x6 cedar columns and beams.  The other ingredients were galvanized pipe and fittings and industrial light fixtures.  

Awards: AIA San Antonio Design Award.

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